Saturday, December 3, 2005

Mayor Scott Jewell of the city of Dyer, Tennessee did not issue a “stop work order” to Dyer Grain Company late Tuesday afternoon as had been expected. The order would have temporarily halted construction of new grain storage tanks.

Dyer Grain’s efforts at expansion have been blocked several times over the past few years both by zoning restrictions on the height of structures and by citizens groups who filed suit against the grain company and the city’s board of zoning appeals. The lawsuit was dismissed two months ago. The Dyer City Council then amended the zoning ordinance to include “grain storage tanks and bins” in a section of the ordinance listing exclusions, such as free standing spires and towers, to the regular 40 foot height restriction on buildings.

Several citizens spoke at the November 28 city council meeting to address alleged deficiencies in the building permit issued to Dyer Grain. The citizens claimed that according to the site plan filed with the application for the permit, the location of the tanks will violate another provision in the zoning ordinance restricting the height of all structures to the distance from surrounding property lines plus ten feet. The citizens were also concerned over a “grain conveyor” that will cross a city street. Mayor Jewell indicated that he would contact the Gibson County building inspector (who is contracted by the city to act as the municipal inspector) to research the citizens’ concerns.

Jewell contacted Ricky Bailey, Gibson County Building inspector, on Wednesday. Bailey reportedly could find no deficiencies with the permit and, based on this advice, Jewell chose not to issue the stop work order himself. The City Council could still meet and vote to issue the order. The council meets the second Monday of each month.

“The main problem is that the grain company is in an industrial zone — which is located smack in the middle of a low-density residential zone.” Nathan Reed, an elected Alderman of Dyer said, “The property values in the area have increased (with inflation) but not at the same rate as other properties.”

Normal buildings, such as offices and warehouses, can’t exceed 40′ plus 10′ to the eave. The requested change in the ordinance changes the status of the towers from a building to the same status of an antenna or tower.

Mr Reed added, “The height to the eave is 76′, the height to the top of the tank is 105′, the height to the top of the elevator (atop the tank) is 133′. The 133′ is the only measurement that matters now because the change to the zoning ordinance means this is no longer a “building”, but rather the same as an antenna or tower.”

“The grain company specifically requested that change to the ordinace — which was opposed by several citizens…They can build it as high as they like so long as it conforms to the overal height restriction for towers, spires, etc.”

Mr Reed commented on additional concerns, “The citizens are concerned about the health effects of (additional) grain dust, noise, and grain explosions.”

The new construction is expected to generate annual property tax revenues of $10,000 to $16,000.



By Sean A. Kelly

If you found your dream home and are worried about your bad credit score affecting your chances of getting a home loan, have no fear, because there are bad credit home loans available. Bad credit home loans are meant for those with poor credit who need to take up home loans to buy a house. These loans are especially for those with financial problems so if you have poor credit, do not give up on eventually buying your own home.

So, how do you know if you have bad credit or whether bad credit mortgages are suitable for you? Well, to find out about your credit rating, you may need to obtain a credit report first. You are entitled to a free credit report every year and you may be able to get a free copy of your credit report from one of the major credit-reporting agencies, listed in the government website http://annualcreditreport.com, once a year. You will need to submit an application for your credit report before the agency sends it to you.

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When you get your credit report, you may be able to know all about your payment history, get a complete list of your accounts, know about the balances in your accounts and your payment history for each of the accounts. However, do not confuse your credit report with your credit score, or FICO, that most lenders and insurers use when processing your loan and insurance applications. FICO is calculated based on your credit report and you won’t be able to get your credit score from the government website. You may need to pay to obtain your credit score from a bureau.

If you have bad credit, it may be an uphill battle trying to get various types of loans. Some financiers will require collateral, some may require more documentations to show proof that you are able to repay the loans and some will probably impose a high interest rate for the loan. Bad credit loans are widely available nowadays for consumers who are having a hard time in getting funding just because they have a poor rating. It is the same with mortgages. While there are regular home loans with adjustable or fixed interest rates, there is also a wide range of mortgages for consumers with poor credit score

A mortgage for consumers with bad credit is rather similar to a regular mortgage. You will still be taking a loan of an agreed amount of capital and you will need to pay back the lender with an interest rate added to the capital. There are also various mortgage products you may choose from. The only difference may be that bad credit home loans may have a higher interest rate compared to the regular mortgages. Also, the lenders may also be placing more restrictions on the loan and apply additional terms that you may need to fulfill to qualify for the loan.

Therefore, it may be important that you seek third party help when seeking a home loan to suit your particular financial situation. If you talk to a specialist mortgage advisor, you may be able to get sound professional advice on the types of loans that are suitable for you, whether you are looking for a mortgage or a home equity loan. The specialist mortgage advisor may be able to look into your financial situation and make the proper recommendations while providing you with accurate information you may need. When you seek help, you may also get assistance when filling up the application forms which could be rather complicated and confusing.

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Contents

  • 1 Wikinews News Brief, February 27 2008 0430 UTC
    • 1.1 Introduction
    • 1.2 Events of worldwide notability, military action, disasters etc.
      • 1.2.1 Kenya peace talks put on hold
      • 1.2.2 Jersey child abuse case ‘was not covered up’
      • 1.2.3 Nigerian election result will not be annulled
      • 1.2.4 Iraq demands immediate withdrawal of Turkish troops
    • 1.3 Non-disastrous local events with notable impact and dead celebrities
      • 1.3.1 Massive blackouts hit Florida
      • 1.3.2 Thousands protest privatisation of Australian electricity industry
      • 1.3.3 Pakistan’s ban on YouTube lifted
      • 1.3.4 Minor earthquake shakes England
    • 1.4 Business, commerce and academia
      • 1.4.1 Seeds placed in Norwegian vault as agricultural ‘insurance policy’
      • 1.4.2 Michael Jackson’s Neverland Ranch to be auctioned off
      • 1.4.3 Microsoft Network users experience international outage
      • 1.4.4 Video hosting website Stage6 to shut down
    • 1.5 Arts and culture
      • 1.5.1 N.Y. orchestra helps forge relations with North Korea
    • 1.6 Footer

[edit]



Saturday, January 29, 2011

U.S. Prohibition Party presidential candidate Jim Hedges of Thompson Township, Pennsylvania took some time to answer a few questions about the Prohibition Party and his 2012 presidential campaign.

The Prohibition Party is the third oldest existing political party in the United States, having been established in 1869. It reached its height of popularity during the late 19th century. The party heavily supported the Eighteenth Amendment to the United States Constitution, which banned the sale of alcohol, and resulted in the US period known as Prohibition (1919–33). It was repealed in 1933. The party has declined since this period, but has continued to nominate candidates for the presidential election.

In 2003, the party split into two factions. Preacher Gene Amondson and perennial candidate Earl Dodge were nominated for the presidency by their respective factions. After Dodge’s death in 2007, the party reunified and named Amondson as its sole presidential nominee for 2008. During the election, Amondson was interviewed by Wikinews. He died in 2009, leaving an opening in the party for 2012.

Jim Hedges is a longtime Prohibition activist, who holds the distinction of the first individual of the 21st century (and the first since 1959) to be elected to a political office under the Prohibition Party banner. In 2001, he was elected as the Thompson Township tax assessor, and was re-elected to the post in 2005. He served until his term expired in 2010. Hedges declared his intent to run for the Prohibition Party presidential nomination on February 18, 2010. This marks his first run for the presidency.



Monday, February 12, 2007

Cars drove home the big prize last night, from the 34th Annual Annie Awards. The animation industry’s highest honor, ASIFA-Hollywood’s Annies recognise contributions to animation, writing, directing, storyboarding, voice acting, composing, and much more.

As mentioned, Pixar took home the big prize last night, after facing stiff competition from four other Happy Feet, Monster House, Open Season, and Over the Hedge.

But the biggest winner of the night didn’t get a “Best Animated Feature” nod at all. Flushed Away won five feature animation categories including Animated Effects (Scott Cegielski), Character Animation (Gabe Hordos), Production Design (Pierre-Olivier Vincent), Voice Acting (Sir Ian McKellan as Toad), Writing (Dick Clement, Ian La Frenais, Chris Lloyd, Joe Keenan, and Will Davies).

Over The Hedge won awards for Directing (Tim Johnson and Karey Kirkpatrick), Storyboarding (Gary Graham), and Character Design (Nicolas Marlet).

Of little surprise, Randy Newman won an Annie for Cars in the “Music in an Animated Feature Production” category. Newman has won many Oscars for his movie music, and has a nomination this year for the song “Our Town”. Newman didn’t attend the Annies, instead picking up a Grammy for “Best Song Written For Motion Picture, Television Or Other Visual Media”.

DisneyToon Studios’ Bambi II won “Best Home Entertainment Production”, while “Best Animated Short Subject” went to Blue Sky Studios’ No Time For Nuts, which is based on Ice Age.

“Best Animated Video Game” went to Flushed Away The Game, while a United Airlines ad named “Dragon” won a “Best Animated Television Commercial” Annie for DUCK Studios.

Contents

  • 1 Foster an Annie fav on TV
  • 2 Wikinews was there
  • 3 Related news
  • 4 Sources


Wednesday, February 22, 2006

This article mentions the Wikimedia Foundation, one of its projects, or people related to it. Wikinews is a project of the Wikimedia Foundation.

Just five years ago, when Jimbo Wales founded Wikipedia, the project’s goal of 100,000 articles [1] seemed ambitious. Yet today, the project, now one of the top 25 websites in the world according to Alexa, is nearing closer 1,000,000 articles in English, and 3.5 million articles across all languages. This week, we interviewed Jimbo Wales.

Colored version

Wikinews: Raul654 asks: “Recently, there were revelations about organized attempts by US Congressmen to whitewash their articles. What is your take on this, as well as earlier reports of Corporate astroturfing?”

Jimbo Wales: The question is invalid. There were no revelations of organized attempts by US Congressmen to whitewash their articles. Not any evidence of “corporate astroturfing” of which I am aware. There was evidence that some congressional staffers edited Wikipedia in inappropriate ways. But the internal evidence of the type and style of these edits do not suggest “organized attempts”.

WN: Nichalp asks: “Budget permitting, are there any plans to increase the number of Wikipedia servers, specifically into the less developed countries?”

JW: We are always buying new servers. There are no specific plans to add servers in less developed countries, but we have looked into it as a possibility. We are particularly interested in doing so if it helps increase access and reduce costs for those users.

WN: An anonymous reader asks: “How much of a role do you feel the Wikipedia community (and the communities of its sister projects) should have in the running of the Wikimedia Foundation? Do you see an increasing separation of the organization from the projects? If so, do you regard that as beneficial or a potential problem?”

JW: The community has always been and will always be absolutely crucial to the running of the Wikimedia Foundation. We are increasing the community input and activity in the foundation through a new series of committees to delegate things to community members which have traditionally been handled by me or the Board. I do not see any increasing separation of the organization from the projects, quite the opposite. I consider the increasing integration of the community and the foundation as overwhelmingly beneficial.

WN: ALoan asks: “English Wikipedia is approaching 1 million articles, but less than 1 in a thousand are Featured articles. The list of featured articles English Wikipedia should have has few featured articles, and recent surveys of articles chosen at random show that many articles are poorly written. How can we get from here to an encyclopedia of well-written articles? Or should we not worry too much about coverage and content?”

JW: We should be tightly focused on the quality of our coverage and content. The goal of Wikipedia is to create and distribute a freely licensed high quality encyclopedia. The path to that goal will require us to be flexible and thoughtful. The first steps will come soon with the article review system, which will initially be used simply to gather data. After we have data, we can begin to work on how we will focus our attention to improve quality.

WN: GeorgeStepanek asks: “You’ve said that ‘Wikimedia’s mission is to give the world’s knowledge to every single person on the planet in their own language.’ But very few of the wikipedias in the languages of third-world countries are seeing as much activity as the first-world language wikipedias. Do you have any ideas on how this could be turned around?”

JW: I am a believer in outreach. I would like for the Foundation to raise money specifically to pay one or more minority language co-ordinators. The goal would be to reach out in a more organized way to professors and graduate students and expat communities who have good Internet access, to seed projects for languages where the majority of speakers have poor internet access.

WN: Jacoplane asks: “How do you feel we will be able to reach Wikipedia 1.0? The tools currently available for vetting our articles are crude at best. The Featured article process seems too slow, and the article validation feature seems to have died a quiet death. Are you planning a big push on this front?”

JW: Isn’t that the same question as the quality question? The article validation feature has not died a quiet death at all.

WN: Quadell asks: “Most important decisions on Wikimedia projects are handled with consensus. However, we sometimes have to deal with legal issues, especially related to copyright law. For instance, we as a community may need to decide whether to consider a certain use “fair”, or how to deal with conflicting copyright claims. Dealing with this through consensus is problematic, since we can’t do something illegal even if there is widespread misguided support for it. In general, how can we as a community deal with these issues?”

JW: I don’t think there is any real problem with this. The community is strongly in support of following the law. I don’t know of any particular cases of widespread misguided support for something illegal. In particular cases, there can of course be [dis]agreement, but I have never seen anyone in the community argue that we should not listen to the advice of our legal team.

WN: Raul654 asks: “Where do you see Wikipedia in 10 years?”

JW: I don’t know. My favorite answer to this is to say, the real question is: where will the world be after 10 more years of Wikipedia. 🙂 Seriously, I think we’ll eventually see a tapering off of new article creation in the large language wikipedias as more and more “verifiable” topics are covered. At this point, most changes will be expansions and updates and quality improvements to existing articles. But in 10 years, it seems likely to me that many languages which are now quite small will have very large Wikipedia projects. Our community will continue to become more diverse as more and more people worldwide come online.

WN: Kevin Myers asks: “The values reflected in certain Wikipedia policies (anti-censorship, neutral point-of-view) are problematic in cultures where freedom of expression is limited, as the blocking of Wikipedia in mainland China and arguably the Muhammad cartoons controversy attest. As Wikipedia expands internationally, do you foresee Wikipedia becoming increasingly controversial in countries where “Western values” are seen as a potential threat?”

JW: I don’t think that neutrality and objectivity are really controversial among most people of the world. It is true that the leadership in some places does not value these things, and may actually work against these things, but we can not deviate from our goals to accommodate them.

WN: On a similar topic, Vsion asks: “Are there currently any efforts being undertaken by the Foundation to address the People’s Republic of China’s blocking of Wikipedia or to alleviate its effect?”

JW: Beijing-area Wikipedians are working to have the block lifted. Our position is that the block is in error, even given China’s normal policies. Wikipedia is not propaganda, it is basic information. We expect that the block will be lifted.

WN: David.Monniaux asks: “The Foundation receives daily accusations of libel from semi-well-known people who have an entry on Wikipedia or are mentioned in some Wikipedia entry. What do you propose? Would a strict application of the rule of citing controversial claims suffice, in your opinion?”

JW: Yes. I think that our current systems do a good job of addressing these sorts of complaints, although it is very time-consuming for us here in the office. What really works wonders is a very strict application of the rule of citing controversial claims particularly relating to biographies of living persons. The new policy on biographies of living persons is a very strong step in the right direction.

WN: Tony Sidaway asks: “In the past six weeks the number of userboxes on English Wikipedia has risen from 3500 to 6000 and, despite your appeals for restraint, the number pertaining to political beliefs has risen from 45 to 150. Can the problem of unsuitable userboxes still be resolved by debate?”

JW: My only comment on the userbox situation is that the current situation is not acceptable.

WN: Larsinio asks: “How can Wikipedia effectively explain to the public its open-contribution model without simultaneously worrying the public about inaccurate information?”

JW: I think we do a reasonably good job of that. The best thing is to point to our overall quality while at the same time pointing out that we are currently a work in progress. Over time, this answer will change as we move toward ‘1.0’. At that time, we can point to ‘1.0’ for those who are made nervous by the live editing.

WN: Rob Church asks: “Do you consider the encyclopedia to be ‘finished’? Do you think it ever can be?”

JW: Nothing is ever finished. Human knowledge is always growing.

WN: Raul654 and Pavel Vozenilek both asked, “What kind of cool new features/announcements can we expect to see in the next year or two?”

JW: I think this question is too hard for me to answer. I almost never “announce” anything, and features are developed publicly by the community. I think other people have a better idea than I do what will happen in the next year or two. 🙂 Ask Brion [Vibber].

WN: Celestianpower asks: “If you had not founded Wikipedia, and had just been referred to it by a friend, how active a contributor do you think you would be?”

JW: [I] dream fondly of such a scenario. I might actually get to edit articles then. Instead of spend the morning (this morning) documenting transactions and taking phone calls.

WN: OpenToppedBus asks: “The last fundraising drive was less successful than had been anticipated. Do you see a shortage of money holding back Wikipedia/Wikimedia in the short-to-medium-term, and are there any plans to bring in income from sources other than individual donations?”

JW: The last fundraising drive was more successful than had been anticipated, by a long shot. It was the most successful fund drive in our history. [Regarding a quoted goal of $500,000], Mav wrote something like that somewhere, in a scratchpad kind of way. That number was just a placeholder and had nothing to do with me or the official view of the foundation. He’s apologized repeatedly for it.

WN: Thryduulf asks: “What is your single greatest wish for Wikipedia?”

JW: I would have to just point back to our original goal: a freely licensed high quality encyclopedia for every single person on the planet. That’s what I remain focused on daily.

This exclusive interview features first-hand journalism by a Wikinews member. See the talk page for more details. Interviews are translated through WORTNET.


Submitted by: Joseph Kenny

Many people are attracted to the benefits of self-employment, from setting your own hours and being your own boss to having control over the development of your business and career. The control over your lifestyle and work is a good reward for the risks involved in setting out on your own. But there are definite challenges involved also. One of the most daunting aspects of self-employment is finding credit. Lenders are often wary of lending to someone who is self employed, particularly if they are new to it and cannot provide proof of steady income.

However, as the character of the UK economy continues to change, and lifelong employment from a single company becomes ever more rare, banks and other lenders are becoming increasingly willing to lend to the self-employed. In fact, now, a self employed person is just as likely to get approval for a mortgage or other loan as someone in more traditional employment. Improvements in credit checks, which allow lenders to see how you cope with debt in general, as well as other changes in lending practices mean that borrowing for the self employed is now easier and faster.

Your Credit Score

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Today, lenders can make immediate decisions on whether or not to lend, based exclusively on your credit score. Credit reports are becoming more important than proofs of income, and a self employed person who pays all bills and monthly payments on other loans on time, will have every chance of obtaining a loan. These same credit reports are what allow banks to make rapid decisions for lending to traditionally employed applicants also.

As self employment increases in popularity, lenders are beginning to compete for a market share in this increasingly lucrative market. The terms and rates available are pretty much the same as for other loans and definitely far better than what they used to be. In fact, if you have borrowed as a self-employed worker in the past, now may be the time to refinance such loans with better rates and terms.

Secured or Unsecured Loan

Another issue to consider is whether you want a secured or unsecured loan. Secured loans generally offer better rates and are secured over your home or automobile usually. However, if you are unable to repay the loan, the security is used instead. Now that unsecured loans are becoming easier to obtain, you should perhaps consider this option, particularly if the loan is being used for business purposes as it means you home or car will be less at risk from repossession.

The bottom line is that today, the self-employed have more options than ever before so don t let this become something that discourages you from seeking credit or makes you accept less than ideal terms or rates.

About the Author: For more informations and loan articles by Joseph Kenny visit the

Personal Loans Store

. At the Personal Loan Store you can find latest

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explained in detail.

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Sunday, June 29, 2014

Spain’s men’s national goalball team arrived in Espoo, Finland Friday for the start of the 2014 IBSA Goalball World Championships. The team comes into the tournament with the goal of securing a medal, which would qualify them for the 2016 Summer Paralympics in Rio de Janeiro. The team missed the 2012 Summer Paralympics.

Head coach Francisco Monreal said, “The objective is to reach the medal round, and qualify directly for the 2016 Games, but we need to be realistic and not think game by game, we can get a surprise. […] The competition will be decided in one game, head or tails, where it doesn’t matter what happened before. ((es))Spanish language: ?el objetivo previsto es alcanzar las medallas y clasificarnos directamente para los Juegos de 2016, pero hay que ser realistas y como no vayamos pensando partido a partido, nos podemos llevar una sorpresa. […] La competición se decidirá en un partido a cara o cruz, como son los cruces de cuartos, y donde no sirve de nada lo realizado en la primera fase

Coming into the competition, the team was ranked eleventh in the world based on the IBSA Unofficial rankings published late last month, down one spot from the April rankings. The team is scheduled to play their first game against the ninth ranked United States men’s team on Monday morning, before playing twenty-first ranked Germany later in the afternoon. Their other scheduled competitors in pool play are top ranked Iran, third ranked Algeria, seventh ranked Finland, twelfth ranked Czech Republic and twentieth ranked Ukraine. The team needs to finish in the top four in their group to advance to the second round.

The team’s roster includes Jose Daniel Fernández, Cristian Santamaria, Félix Vargas, Roman Martínez, Jesús Santana, and Javier Serrato. They are led by head coach Monreal, with assistant coach Carles Estrany and physiotherapist José Bravo. The team is drawn from around the country, with Santana playing for a club in the Canary Islands, Serrato playing for Valencia, Fernández for Madrid area Chamartín, Santamaría for Cantabria, Vargas coming from Barcelona and Martínez from Aragón.

Absent from the 2012 Summer Paralympics, the last major international competition the team competed in was the 2010 Goalball World Championships in Sheffield, England where the team finished fifth. In last year’s IBSA European Goalball Championships in Turkey, the team finished second, behind World Championship hosts and Paralympic gold medalists Finland.

Goalball was created in 1946, exclusively for people with a visual disability and designed to help with the rehabilitation of veterans returning from World War II. Play in the Paralympics consists of two twelve-minute periods, with a three minute break between halves. Players are blindfolded to ensure all are equally visually handicapped on-court, and the game can be stopped to ensure goggles are properly fitted. Standing in front of a long goal, they throw the ball at the opposition team’s net who in turn try to block it by listening to the ball, which contains a bell, and using their bodies to prevent the ball from going in. The audience is asked to remain silent during play.



Jul

17

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.


DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.



Submitted by: Kevin Burns

Every home relies greatly on electrical power but there are times when power outage occurs. If you want to pick the right portable generator, there are some things that you should know.

The portable generator is available in three styles recreational, emergency, and professional. The very first thing that you have to do is to pick a style and after that, you can already find a quality portable generator.

If you love to go hiking and camping, you will need a recreational generator. As the name suggests, the recreational generator can provide you with the conveniences of modern living even if you are in the outdoors! However, you should read the manual carefully so that you can use it properly. One wrong move can affect the tranquility of the outdoors. This type of generator come in 2 sizes only, the small and tiny. The small generator can produce 2,000 watts while the tiny one can provide 1,000 watts. If you want to use appliances simultaneously, the tiny generator is ideal but for multiple tasks, you will need the small generator.

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If you get the small recreational generator, you can use a television, mini DVD, crock-pot, and a mini fridge together. Just in case you need to use the coffee maker, blender, or toaster, you may have to rotate the use of each appliance. With the tiny generator, you can use the coffee maker alone and afterwards, you can now use the crock-pot or the toaster.

Another type is the emergency portable generator. This is ideal for homes experiencing power outage. Electricity is very important and if you don t want to have a very dark night, you have to get one. It s not a good ideal to get camping generators because they are ideal for camping and tailgating. You will be wasting a lot of money on the refills especially if the power outage is long. You can use the internet to determine the available emergency generators in the market. There are so many brands and models to choose from. Take your time in reading product reviews so that you can find the ideal product. Make sure that you visit independent websites to get unbiased reviews. If price is a consideration, you have to compare the prices as well. Emergency generators are more costly than recreational generators.

The professional portable generator is ideal for construction and other job sites. As compared to the other two types, the professional generator is expensive but it can handle all the needs of the job site. It can provide higher wattage to carry out extensive electrical tasks.

These are the 3 portable generator types. You have to determine how you plan to use the generator so that you can decide on the right type. If you are going to use it for recreational purposes, go for the recreational generator but for home use, you will need to purchase the emergency portable generator. Companies are usually the ones who purchase professional grade generators. Make a pick now.

About the Author: Before buying a portable generator it is smart to do a little research to make sure you are buying what you need. Read some

portable generator reviews

and determine which generator best suits your needs. You may want to look at some of the best selling brands like the

Generac portable generator reviews

to see if it is what you need.

Source:

isnare.com

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